There are always some plot issues that I have a hard time resolving in my books, or they obtuse seemingly not fitting in with the rest of the story. The ideas are there, but they need completion. They stick out as a sore thumb in a nearly finished book. If you are having the same problem, here are some ways that have worked for me:
- I take note of things that I like in fiction. Then I look them up when I construct my book. Is there an element that I can place in this situation that can solve my issue? For example, I love two villain plots. Can I add another bad guy to solve my problem? If so, why not do it?
- I usually have 5-10 themes that I want to address. I use them to resolve plot. Let’s say that I want to talk about nonviolence (as one of my themes.) I may be able to resolve that sticky plot issue without fighting. Plus, I also get to reinforce my theme. In one instance, it also allowed me to develop a character as a thinker and reluctant fighter.
- Speaking of characters, use their development to help fix the problem. In a specific case, how will each character react? Will they like it? Will it come naturally to it? Let them tell you the plot instead of vice versa.
- I am currently writing a series. So, not all destinations have to be achieved. If something doesn’t quite fit, leave it alone and maybe even awkward. I just hint or use some foreshadowing that this will be picked up later.
- Leave the odd part out. As Picasso once said, you have to be willing to kill your babies. In some cases, what you want to do won’t work in your current context. Maybe your fondness for a particular part is the only reason keeping it in the book. Take it out. You can always use the crux of that good idea on your next piece.